A quick look at some of what I’ve been up to lately.
I got to score the trailer for a game I’ve been looking forward to for a long time—how cool is that? Glumberland wanted a high-energy theme to shake things up from their earlier trailers while still capturing that oddball Ooblets vibe.
The soundtrack to the incredible storytelling party game King of the Castle is out now!
I’m currently working on the soundtrack for an upcoming indie game about a witch making a name for herself in a small town. (Yes, Studio Ghibli have definitely hired me to work on a Kiki game.)
I wanted to create the sense of a village that’s peaceful but lively and always trying its best!
This section's a bit outdated, as I have new material I can't show publicly yet!
Please get in touch by email: me [at] hadurant.com
In a faraway desert kingdom, a woman seeks refuge from the dreaded Gestahlian Empire. Can Edgar and Locke keep her safe from the Empire’s forces? Find out in this dramatic scene I wrote for Project ESPER. Be sure to follow along with the captions!
As you're about to leave the hospital for the night, a woman approaches.
She's tall, pale, and looks uneasy on her feet as she clutches her stomach, hands half-hidden beneath a brown vintage coat. Her eyes are dark. At this distance, you can’t tell if she’s tired or crying. Maybe it's both.
An elderly man with dementia awakens on a warm autumn morning. Today is an important day, but he can’t quite remember why.
Explore the house, interact with objects from your past, and solve puzzles to jog your memory.
I composed the trailer music and contributed several music tracks for this romantic Roguelike released Valentine's Day 2018. I had a fun time exploring ways to make the music intense, lighthearted, and romantic.
Written on an ultra-tight deadline, the score for Echo's Song is an experiment with harmonic and sound design techniques that explore how it might feel for a bat—a creature that relies on sound for existence—to be caught in an unfamiliar environment.
Overture and exit music for a production of Anton Chekhov's The Bear—a tale about two people who are just the worst. The lady doth protest too much and the dude is, well...a bear.
I illustrate the hypocritical nature of the characters trying to maintain control while yearning for the exact opposite.
In my spare time, I help to manage and participate in a local composer's group. We put on four concerts per year. This performance of a short solo piano piece is from a January 2018 performance.